After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to ﬁlm. Following the method developed in the previous ﬁlms, the ﬁlmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving ﬁlms produced by the collective, a series of beautifully ﬁlmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

Peter Watkins' global look at the impact of military use of nuclear technology and people's perception of it, as well as a meditation on the inherent bias of the media, and documentaries themselves.

Pulitzer Prize-winning journalists Nicholas Kristof and Sheryl WuDunn explore the causes and costs of addiction, poverty and incarceration plaguing America, from the inner city to small towns like Kristof's hometown of Yamhill, Oregon. While pockets of empathy and aid exist, are they enough to rescue the thousands of Americans in despair, for whom the American Dream of self-reliance is impossibly out of reach?

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Megacities is a documentary about the slums of four different metropolitan cities.

Egypt, nicknamed "the mother of the world" by its people, is unrecognizable. Gigantic construction sites have sprung up in the desert at an exponential rate, including roads, bridges, and megaprojects on the Mediterranean coast. This new Egypt is an illusion: in 10 years, the population has sunk into unprecedented poverty. The regime shows no mercy to the poor. Abdel Fattah el-Sisi, the new pharaoh, and his army have set up a pyramid-shaped financial system, built on subsidies from major international institutions—including the European Union—and foreign investment. The most populous nation in the Arab world finds itself on the brink of collapse.

A daily life in Korogocho, Kenya, one of the world’s poorest slums.